Sunday, April 11, 2010

Vision by Artist Inspired Purcellville Cross


The following excerpt and photograph is from The Washington Post regarding Tomás José Fernández, an artist who said he had a vision from Our Lord about creating a cross which now stands in Purcellville, VA.

Artist says vision inspired Purcellville cross

By Eugene Scheel

The Washington Post - The Piedmont's most visible celebration of the Resurrection of Jesus, "Crux Gloria," stands aside Route 7, the Harry Byrd Highway in Purcellville. Tomás José Fernández sculpted the 33-foot-high steel "Glorious Cross" in 1990. Within the cross is the shape of Jesus; it almost appears to have been cut out by scissors. The ethereal body frames trees, the Blue Ridge and the sky.

By dusk, the outline of Jesus is delicately lighted. At dawn, the glow is extinguished.

Recently, I asked Fernández, 55, about the history of "Crux Gloria." In a letter, he wrote: "In 1988, I was awakened from a sound sleep when an overwhelming presence of light came into my room. Immediately, I was aware that it was the Lord. I acknowledged His presence by saying, 'Oh Lord, it's you. . . .'

"He began to show me something within this ray of light that had entered my room. Then He asked me to make a special cross, for he explained, 'My Cross is a Cross of Light. Get up and draw it down.' I complied instantly, and, as I did, I felt God withdraw."

Fernández awoke at first light and translated the vision, first to a drawing and then to a three-foot-high steel model. A few months later, at his church, the small 1921 brick St. Francis de Sales Church on Main Street in Purcellville, he showed the model to parishioners and said, "Let's put the cross up before we put the building up," referring to a new church being planned.

Fernández said any resistance to the project ended when, while he was still talking and looking at the model, he noticed his audience looking the other way. Late afternoon sunlight, streaming through a window, had projected a shadow of the cut-out Jesus on the wall.

Ted Welti, a Leesburg structural engineer, computed engineering specifications, and Fernández bought the steel at the old Union Iron shop in Herndon. With assists from cranes, sandblasters and heavy equipment, welders at the shop attached two steel sections into one 17,000-pound cross. Fernández recalls the total cost, including his labor, as $12,000.

On Nov. 21, 1990, on the Feast Day of Christ the King, the last Sunday of the liturgical year, a derrick raised the cross, anchored by welds and seven feet of steel encased in a massive block of concrete. The new St. Francis de Sales Church opened nearby in June 1992.

Fernández has since sculpted other crosses and spiritual statuary for several Virginia, North Carolina and D.C. churches and Christian retreats, including St. John the Apostle Catholic Church in Leesburg, St. Matthew's Episcopal Church in Ashburn, Peace Lutheran in Annandale and Holy Trinity Catholic Church in Georgetown.

Fernández, a full-time professional sculptor in metal, said he is always seeking a "spontaneous spiritual expression of the Holy Spirit" before starting a project.

To read the entire article, please visit the WashingtonPost.com.

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Saturday, April 10, 2010

Exposition of the Holy Shroud of Turin

Image of Jesus on Holy Shroud of Turin

The photograph and following news story regarding the exposition of the Holy Shroud of Turin is posted on Catholic Online:

Vatican Information Service

The Shroud of Turin is believed by millions of Christians to be the burial cloth which wrapped the body of Jesus Christ following His death. The pure linen cloth in a fishbone weave measures 4.37 metres by 1.11 metres. It contains the full frontal and dorsal imprints of a supine man and has carmine-colour stains corresponding to blood.

VATICAN CITY (VIS) - On 10 April, the exposition of the Holy Shroud of Turin will open in the cathedral of that Italian city. One of the highlights of the exposition, which is due to end on 23 May, will be the visit of Benedict XVI, who will celebrate Mass in the city's Piazza San Carlo on 2 May.

The Shroud of Turin is believed by millions of Christians to be the burial cloth which wrapped the body of Jesus Christ following His death. The pure linen cloth in a fishbone weave measures 4.37 metres by 1.11 metres. It contains the full frontal and dorsal imprints of a supine man and has carmine-colour stains corresponding to blood.

It is marked with a double series of dark spots caused by burns it suffered in a fire in the sixteenth century, while the water use to douse the flames has left broad symmetrical rings, clearly visible. Less visible are transverse marks corresponding to creases in the linen which, before its final voyage to Turin in 1578, had been preserved in a reliquary in forty-eight folds.

The man in the image is 180 centimetres tall and has long hair, a beard and moustache. The eyes are closed, the hands and forearms crossed, and the body bears signs of torture.

During the period of the exposition, daily Mass will be celebrated in the cathedral in front of the Shroud at 7 a.m., followed by Lauds. The Blessed Sacrament will be exposed in the penitentiary of Palazzo Chiablese throughout the day. The chapel will be reserved for silent prayer and Eucharistic worship.

Priests will be available in the penitentiary to hear confessions and administer the Sacrament of Reconciliation. The exposition route to view the Shroud will be open from the end of Mass up to 8 p.m. (reservations are required). It will also be possible to enter the cathedral by the main door, but then the Shroud will only be visible from a distance.

The nave will be reserved for prayers and silent reflection. In the evening, depending on the calendar, the cathedral may be open for special ceremonies or religious cultural events.

The website provides texts and information concerning all aspects of the organization of the exposition.

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